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Pre-Colonial Philippine Tattooing
Across Seas and Time

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BRENNA WILCKEN

Brenna Wilcken is a member of Katao School of Living Traditions, and an apprentice and daughter of hand-tap tattoo practitioner, Lane Wilcken. As a child, she grew up watching her father research pre-colonial hand tap tattooing practices, called batok, and eventually grow into a world-renowned “mambabatok” and knowledge keeper of this sacred practice. Today, she is working alongside a tight-knit community of cultural historians, artists, and leaders to preserve, sustain, and recover not only batok, but various other cultural practices. Apart from this work, Brenna also enjoys exploring the complexities many people share of being a multi-ethnic person of diaspora. Coming from a background of being Filipino, Japanese, and Caucasian, she identifies as all of these, but casually, as “a mixie”. Brenna also enjoys weaving, sewing, cooking, and tending to her garden in her home city of Las Vegas, Nevada. 

Maya is a batok apprentice under the guidance of Lane Wilcken, dedicated to learning and honoring this sacred ancestral tradition while closely connecting with knowledgeable community members who help preserve and share pieces of our collective history through study, storytelling, and lived experience. Drawn to batok through a desire to understand Indigenous traditions and bridging them mindfully to the diaspora, Maya approaches the practice as a way to honor her ancestors and build community through cultural reconnection and decolonization. Identifying as Filipino & African-American, her work is shaped by questions of identity and creating safe  spaces for meaningful connection within the Filipino diaspora. Outside of batok, Maya enjoys reading, jewelry making, pottery, spending time with her family—especially her sisters—and being part of her local jazz community in Las Vegas, Nevada, all of which continue to inspire her creative and cultural practice. 

MAYA HUFF

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